October 9th 7:00 pm – 10:00 pm
Mannes Concert Hall
150 West 85th Street, NY NY
Free and Open to the Public
Order tickets via Eventbrite:
http://esharp-graphicnotation.eventbrite.com/
https://www.facebook.com/events/1490759751180000/
In this lecture, Sharp will describe his 1972 work with graphic notation and how, in his return to this approach in 2003, he found new pathways to the synesthetic. Sharp will present the scores Seize Seas Seeths Seen, Foliage, and Mare Undarum, and describe graphic techniques used to create them, mirroring processes he might have used to process in real-time the sounds produced by musicians. With Sylva Sylvarum from 2014, the score is now an animated movie whose derivation will be discussed. The event will include the presentation of projected scores and recorded examples from selected realizations.
Elliott Sharp 2014-15 CTM Artist/Fellow
A central figure in the avant-garde music scene in New York City for over thirty years, Elliott Sharp leads the projects Orchestra Carbon, SysOrk, Tectonics and Terraplane, and has pioneered ways of applying fractal geometry, chaos theory, and genetic metaphors to musical composition and interaction. Winner of the 2015 Berlin Prize in Music Composition and a 2014 Guggenheim Fellowship, Sharp has composed for Hilary Hahn, Ensemble Modern, RadioSinfonie Frankfurt, and JACK Quartet. His work has been featured in the Darmstadt (2002) and Donaueschingen (2007) festivals, at the Hessischer Rundfunk Klangbiennale (2007), and the Venice Biennale (2003, 2007, 2012). His wide range of collaborators have included Qawwali singer Nusrat Fateh Ali Khan; Kronos Quartet; Debbie Harry; blues legends Hubert Sumlin and Pops Staples; jazz greats Jack Dejohnette, and Sonny Sharrock; turntable innovator Christian Marclay; and Bachir Attar of the Master Musicians Of Jahjouka, Morocco. His work is the subject of the documentary “Doing The Don’t” and he has been featured on NPR’s All Things Considered.
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In 2013-15, CTM presents a series of lectures, workshops, & performances focusing on the cutting edge present and future of guitar and instrument design. Co-sponsored by Mannes College of Music, functioning as a platform to build cross divisional collaboration at The New School, and opening exclusive external collaborations, this series has brought internationally renowned luthiers, designers, builders, materials innovators, composers, performers, theorists, and sound designers together to explore points of connection between the traditions of musical instrument design and sound production, and new forms of design thinking facilitated by materials science, emergent materials, parametric design, the internet of things, physical computing, networked sound, and the politics of ‘noise’.
Guests have included Ken Parker, Charlie Hunter, Ned Steinberger, Charles Yang, Ola Strandberg, Allan Marcus, Perry Hall, Joe Ravo, Gary Lee, Fred Hand, and Ezio Blasetti.