Jan 072014


The score of John Cage’s 0’00” (1962) reads:
In a situation provided with maximum amplification, perform a disciplined action.
This realization of 0’00” involves 5 maximally amplified contact microphones, connected to keys on the performer’s laptop.  The return key and the C, A, G, and E keys are amplified (in honor of the tradition, at least as old as J. S. Bach, of using the letters in composers’ names as pitch material or structural limitations in a work).

The “disciplined action” in question is a live transcription of another John Cage piece, the Lecture on Nothing (1949).  As the performer listens to the lecture privately, he publicly presents the artifact of an written transcription.  The obstructive force of the contact microphones, as well as the stenographic limitations of transcribing the spoken word, will lead to a visual artifact shot through with imperfections.  The aural artifact, the sound of the keyboard as transmitted through contact microphones, an exploration in its own right into the rhythmical possibilities of the modern keyboard, remains, perhaps as mere byproduct



About the Artist:

Derek Baron is a percussionist and composer based in Brooklyn, NY. He is a student of composition and performance at the New School for Jazz and Contemporary Music and a student of Philosophy at Eugene Lang the New School for Liberal Arts. Before coming to New York, Derek was active in Chicago, where he grew up.

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